Workshops

The Grand Union Youth Orchestra runs monthly masterclasses/workshops for its members, introductory workshops during school holidays and half-terms for new recruits, and a range of open workshops and online activities. All sessions are free and without auditions.

Contact Joshua Brandler  josh@grandunion.org.uk or the Grand Union office 020 8981 1551 to find out more.

CALL & RESPONSE

This is our brand new youth programme for the whole of 2021 -  flyer here, more details on the Youth Orchestra main page. Monthly workshops with the Grand Union Youth Orchestra, explore historical and present-day issues with the Grand Union’s core musicians from all parts of the world, culminating in a Winter Concert.

GUYO sessions which most of the last year have taken place via Zoom are now going live again! Workshops will return to Rich Mix, 35-47 Bethnal Green Road, London E1 6LA on the second Sunday morning of the month, and will be themed:

Sunday September 12th, 10.00-1.30 - open workshop, new members welcome
Sunday October 10th, 10.00-1.30 - music expressing dissent, protest and resistance
Sunday November 14th,10.00-1.30 - creating music related to the African diaspora
Sunday December 12th,10.00-1.30 - exploring music related to Bangladesh or independence

Here are examples of GUYO exploring the West African diaspora in a project related to the Transatlantic Slave Trade:

GUYO musicians summon up the Yoruba orissa Eleggua with West African 12/8 drumming, and Ogun with Northeast Brazilian 12/8 rhythms and his traditional Candomble chant :

                   

To keep up to date with GUYO events, visit our Youth Orchestra Performance page or our general Events page.

In these videos streamed during lockdowns, Grand Union core musicians (who lead our workshops and the Summer School programme) talk about their 'journeys' and demonstrate their musical styles and instruments:

We hope you will find their input useful in shaping your own ideas; the GUO  Library Channel on YouTube may also help.

Featuring an unimaginable range of instruments and singing styles worldwide, it brings together essentially lyric or narrative pieces from the Grand Union canon, ranging from simple arrangements of traditional music to Tony Haynes’s compositions for large-scale shows, especially those involving young musiciansThis Playlist, The Isle is Full of Noises, gives a general overview.

More Playlists group the dramatic material under other subject headings – eg ‘rivers and seas’ , ‘jobs and occupations', ‘protest and conflict’, ‘villains and victims’ and so on. They aim primarily to inspire musical interest and creativity, but for schools they also form an imaginative way in to a range of historical topics (the slave trade, wars of independence, the Silk Road), social issues (disease, migration, inequality), world instruments and dance styles, cultural and political debate, and even languages (widely represented in GUO material). 

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